DEPREDADOR? O PRESA

Diario Visual
MariLau Miranda Osornio

Hoy estuve muy cerca de hay y me acordé mucho de ti :) por eso te marque

Hoy estuve muy cerca de hay y me acordé mucho de ti :) por eso te marque

(Fuente: tugo)

likeafieldmouse:

Roger Ballen - Shadow Chamber (2001-4)

stylistnotions:

Falling Garden installation by Gerda Steiner and Jorg Lenzlinger.

(Fuente: slowartday, vía chrrylovers)

museomarco:

Los #HermanosCampana crean piezas que proyectan la exuberancia de la flora tropical, las raíces de la cultura brasileña e influencia surrealista | Visita la exposición #Anticuerpos hasta el 16 de junio (at MARCO (Museo de Arte Contemporáneo))

Los #HermanosCampana crean piezas que proyectan la exuberancia de la flora tropical, las raíces de la cultura brasileña e influencia surrealista | Visita la exposición #Anticuerpos hasta el 16 de junio (at MARCO (Museo de Arte Contemporáneo))

suburbanmike:

Foxygen
“On Blue Mountain”
We Are The 21st Century Ambassadors of Peace and Magic (2013)

Take the ride. You won’t regret it.
In fact, get the whole album and give it a spin.

TOP TEN ALBUM OF 2013

HE’LL YES

The gallery is transformed into a curvilinear space with no corners by filling it with clusters of half domes, ranging from two to four feet in diameter. The clusters of domes within this curved space give the viewer the sensation of being within a contained space and vastly open field at the same time, where one can venture beyond their own physical space.

Soo Sunny Park

(Fuente: moleculess)

;)

(Fuente: wryer, vía beachmonster)

hyperallergic:

Louise Bourgeois, “The Destruction of the Father” (1974)Much of Louise Bourgeois’ work is spoken of in terms of the confessional and psychoanalytic, given her stated influence of her childhood relationships with her parents on her practice. From an interview with Cheryl Kaplan and Louise Bourgeois in db artmag:

CK: The Destruction of the Father, done in 1974 is an incredibly visceral piece, cast from lamb and chicken bones. The sculpture is overrun with tumorous protrusions. It’s scary, yet strangely natural. Destruction is about getting rid of someone but also keeping them around. The sculpture’s support resembles a field hospital stretcher. In what way were your childhood visits to see your wounded father in army hospitals during WWI part of this piece? LB: I accompanied my mother during the War when she went from camp to camp to stay close to my father. I felt my mother’s hysteria. The images of the soldiers on the trains and in the hospital have stayed in my mind. The fear of abandonment is very strong within me and relates to that time.

Also well noted is the influence of Bourgeois’ awareness of her father’s infidelities to her mother. Her works,
especially her cell pieces, are often fraught with the tensions implicit in those observations.

Louise Bourgeois, “The Destruction of the Father” (1974)

Much of Louise Bourgeois’ work is spoken of in terms of the confessional and psychoanalytic, given her stated influence of her childhood relationships with her parents on her practice. From an interview with Cheryl Kaplan and Louise Bourgeois in db artmag:

CK: The Destruction of the Father, done in 1974 is an incredibly visceral piece, cast from lamb and chicken bones. The sculpture is overrun with tumorous protrusions. It’s scary, yet strangely natural. Destruction is about getting rid of someone but also keeping them around. The sculpture’s support resembles a field hospital stretcher. In what way were your childhood visits to see your wounded father in army hospitals during WWI part of this piece?

LB: I accompanied my mother during the War when she went from camp to camp to stay close to my father. I felt my mother’s hysteria. The images of the soldiers on the trains and in the hospital have stayed in my mind. The fear of abandonment is very strong within me and relates to that time.

Also well noted is the influence of Bourgeois’ awareness of her father’s infidelities to her mother. Her works,

especially her cell pieces, are often fraught with the tensions implicit in those observations.

leadersofamessedupgeneration:

Message me for a follow! Mbf me xxx

leadersofamessedupgeneration:

Message me for a follow! Mbf me xxx

(Fuente: songsandsorbets, vía cocotropics)

awkwardsituationist:

high tide and low tide in great britain. photographs by michael marten

(vía elmonocromatico)

animalkingd0m:

Dreaming by Amazing Views Photography

Dreaming by Amazing Views Photography

STRFKR - Malmo

(vía beachmonster)

rustybreak:

Lynda BenglisSee more of the artist’s work here: http://www.artnet.com/awc/lynda-benglis.htmlFollow me on Twitter: jemmacraig03Follow me on Instagram: jemmacraig

Lynda Benglis

See more of the artist’s work here: http://www.artnet.com/awc/lynda-benglis.html

Follow me on Twitter: jemmacraig03
Follow me on Instagram: jemmacraig

rustybreak:

Laddie John DillSee more of the artist’s work here: http://laddiejohndill.com/Follow me on Twitter: jemmacraig03Follow me on Instagram: jemmacraig

Laddie John Dill

See more of the artist’s work here: http://laddiejohndill.com/

Follow me on Twitter: jemmacraig03
Follow me on Instagram: jemmacraig

Meet Naki’o.

Naki’o is a mixed-breed dog with four prosthetic leg devices. Naki’o lost all four feet to frostbite when he was abandoned as a puppy in a foreclosed home.

He now lives in Colorado Springs, happily.

Photos: REUTERS/Rick Wilking

(vía msfackitall)